Umbrellas
takes a poignant, in-depth look at the concept and realization of
Christo and Jeanne-Claude's project, "Umbrellas: Joint Project
for Japan and U.S.A" presenting the artist at his most triumphant
and most vulnerable moments - from the exaltation of the project's
opening day through unexpected tragedies at the end.
The artists
chose sites with contrasting cultures, among people who were unsophisticated
about art; a rice-farming valley in the Japanese province of lbaraki,
72 miles north of Tokyo, and a cluster of cattle ranches in the rolling
hills of southern California, 60 miles north of Los Angeles.
Christo
and Jeanne-Claude appealed to 29 land-owners in California, and a
total of 485 people in Japan. In October 1991, as planned, 1,340 blue
umbrellas unfurled in the dense green foliage and rain-dripped autumn
light of the Japanese valley. On the opposite side of the Pacific
Ocean, the 1,760 yellow umbrellas burst open on dry, golden-colored
grass, glimmering in brilliant California sunlight.
The film
winds through the paddies and the pastures, showing rice farmers and
cattle ranchers reacting with amusement, skepticism and intrigue -
with weather becoming a forceful project participant. Umbrellas
candidly presents the compelling personal reactions to a tragic death
at the California site. Later, during the removal of the umbrellas,
an electrical storm took the life of a Japanese construction worker.
Like life itself, Christo's art has, in his own words, "a profound
dimension of irrationality."
