Fraulein is a tale of three displaced and quietly sorrowful
women. Their age difference means little – each has been ripped
away from their homelands. Ana, the youngest of the trio, sadly declares,
“No one calls it Yugoslavia anymore.” Despite her youth
Ana has the most to teach the women and makes a deep impression on Ruza.
Ana springs into the lives of two older women running
their own canteen. The eldest, Mila, has a rigid exterior but perhaps
the shortest journey of them all. Ruza, cold and detached, refuses to
let emotion or frivolity into her life. Closed off from the world around
her, Switzerland is her “home” but not her heart. Ana’s
influence and carefree nature allows Ruza to slowly shed her past and
realize the life she has left to live. Ana’s demeanor is frank
and impersonal towards strangers. When dancing in a club she tells a
prospective date her brother killed himself after the war – deliberately
pushing anyone and everything away – except Ruza.
Although we have seen this plot in countless American
films, never before have we seen such a bleak and simultaneously uplifting
film. Andrea Staka respects her women characters and refuses to indulge
in easy clichés and overripe material. As Ana’s life slowly
fades she fills the other two with hope and a sense of home. Ana’s
not a egotistical mission – she isn’t a character solely
created to give others a purpose. However, her presence allows the dense
regret and sorrow to slip away. The past will continue to haunt each
of them but a quiet sense of peace spills over the stark gray colors
of Switzerland. Fraulein is a film not to be missed. The lessons are
universal. - Elisabeth Hegmann.
SCREENS WITH:
BUILDING
BRIDGES
Jeanine Isabel Butler, U.S. / Bosnia-Herzegovina, 14 minutes
In an effort to reunite a fractured community, an exceptional
group of women join together to create the Mostar Women’s Citizen
Initiative of
Bosnia in this extraordinary documentary about setting aside differences
to heal wounds wrought by tragedy. Narrated by former Secretary of State
Madeleine Albright.
THE
WAY WE PLAYED
Samir Mehanovic, Scotland, Bosnia-Herzegovina, 14 minutes
On the
eve of war in Bosnia, two boys go looking for treasure. Oblivious to
the encroaching danger, what they discover changes their lives forever.
